I had imagined doing a big roundup post for the 20th anniversary of my LiveJournal, but due to rampant sleepiness on the 11th of July after my solo trip to London, I managed to miss it completely. (It was a mistake not to set a reminder in my calendar.) I still will, but in lieu of the roundup for now, here is a photo post from my final act of the London trip, which was to the eastern half of Highgate Cemetery.

Thanks to my DW/LJ, I know that I finished my photography project to visit all of the Magnificent Seven cemeteries in 2012. Someone asked me on my return home this weekend, “Who is buried in Highgate, apart from Karl Marx?” While I can answer that question with a list of names, the honest answer is that I don’t care. I don’t visit these places to hunt for the graves of specific famous people, not even Douglas Adams (sorry, mate. I do know where my towel is though). In fact, because I keep a journal, I have a precisely formulated explanation for my visits.

Maybe it’s obvious from my choice of photographs, but I don’t care much about finding the graves of the notable persons buried in these cemeteries. For me, the attraction of these places comes from the collective obliteration of individual identity. The sense that pain and sorrow have been absorbed and transformed into something that is rather beautiful - the admission, and acceptance, of death. -- Me, April 2012.
I love my journal so much. ♥ ♥ ♥

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Many photos )

This trip has inspired me to repeat the Magnificent Seven project, in reverse order, over the next few months. Next up, then: West Norwood cemetery.

nanila: wrong side of the mirror (me: wrong side of the mirror)
( Apr. 7th, 2020 08:48 pm)
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At the weekend, Keiki expressed an interest in using a film camera. I think this might be because of one of the Miyazaki films we’ve watched recently. I showed him an array of the film cameras I have tucked away, and he picked out the Polaroid Impulse. As I haven’t used it in six or seven years, it didn’t have any film in it,. The packs only last about twelve months, so I would have had to get some new ones anyway. I didn’t want to order off Amazon as sellers there don’t seem to have any scruples about flogging expired film. I wasn’t entirely prepared for the sticker shock. I got some from Jessops, who didn’t have any colour film in stock, but did have black-and-white at £18 for a pack of eight. It focuses the mind wonderfully when you know that every time you press the shutter release, it costs £2.25.

Once I got over that, the film arrived in two days and I checked the manufacture date: October 2019. Phew. I loaded up the Impulse and instructed the children to work out two photos that they wanted to take outside in the garden.

Closeups )

We’re saving the other four shots for a walk up the canal. I’ve also promised to rustle up some colour film, but possibly they’ll have to earn it through chores, as this could become a very expensive hobby otherwise.

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View of the lighthouse from the promenade at Playa Blanca, Lanzarote.
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I didn't take this photo - our neighbour's girlfriend did - but it must go into the project. I don't have many portraits of all of us and this is a particularly nice one.
nanila: pretending to be french (vintage me: camhoor)
( Jan. 7th, 2019 08:46 pm)
I took a small set of very hurried dSLR photos on our visit to Bath Abbey and was mildly disappointed in them. Until I converted them to black and white and discovered that they all appear to be super creepy, which pleases my inner eldergoth greatly.

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+5 )
my sibling is my copilot
Keiki and Humuhumu in the children's aeroplane-themed play area, pretending to fly the plane. Hashtag my sibling is my copilot. Hashtag Schipol Airport. Hashtag today started at 3:30 AM; I have earned this glass of wine. *thud* <3
tiny cherub, b&w
I spent most of the last two days in back-to-back meetings in a room with no windows. I am, therefore, bereft of inspiration for today's post. Have a photo of a tiny cherub tucked into a high alcove. I see him whenever I walk to work. (He is also a Pokéstop.)
Telstar
Telstar does not want to go outside and enjoy the sunshine right now, thankyouverymuch.
It is now just over three weeks until Cassini plunges into Saturn’s atmosphere and the mission (but not the Project) comes to an end. I grow a little sentimental.

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This is the flight spare of Cassini’s fluxgate magnetometer sensor, which will live on. We use it for command simulations on the ground.

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This is a 1:25 scale model of the Cassini spacecraft, with the Huygens probe attached to its side. It includes the magnetometer boom, which is hidden in this view. These were distributed to the payload teams. It's been in our group longer than I have (>11 years).

I recently ordered a big perspex display box for the model, so we can have it on show at the upcoming Imperial Fringe festival, post-mission-end. I’ll be giving a talk at the Farewell to Cassini exhibit. Details to follow (on the Londoners filter) when they’re confirmed and the web site for event registration is live.

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This is a screenshot of NASA Eyes on the DSN that I took on 4 August. DSS-14 at Goldstone (the antenna in white on the left) is receiving data from Voyager 1 (spacecraft shown on the right). I accompanied this with “We’re still listening” on [instagram.com profile] magnetometrist on Instagram.

NASA has a poll, open until Tuesday 29 August, to choose a 60-character-or-less #MessagetoVoyager, to be sent on 5 September. If you want to vote on a message, go here.
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