I had imagined doing a big roundup post for the 20th anniversary of my LiveJournal, but due to rampant sleepiness on the 11th of July after my solo trip to London, I managed to miss it completely. (It was a mistake not to set a reminder in my calendar.) I still will, but in lieu of the roundup for now, here is a photo post from my final act of the London trip, which was to the eastern half of Highgate Cemetery.
Thanks to my DW/LJ, I know that I finished my photography project to visit all of the Magnificent Seven cemeteries in 2012. Someone asked me on my return home this weekend, “Who is buried in Highgate, apart from Karl Marx?” While I can answer that question with a list of names, the honest answer is that I don’t care. I don’t visit these places to hunt for the graves of specific famous people, not even Douglas Adams (sorry, mate. I do know where my towel is though). In fact, because I keep a journal, I have a precisely formulated explanation for my visits.










































This trip has inspired me to repeat the Magnificent Seven project, in reverse order, over the next few months. Next up, then: West Norwood cemetery.
Thanks to my DW/LJ, I know that I finished my photography project to visit all of the Magnificent Seven cemeteries in 2012. Someone asked me on my return home this weekend, “Who is buried in Highgate, apart from Karl Marx?” While I can answer that question with a list of names, the honest answer is that I don’t care. I don’t visit these places to hunt for the graves of specific famous people, not even Douglas Adams (sorry, mate. I do know where my towel is though). In fact, because I keep a journal, I have a precisely formulated explanation for my visits.
Maybe it’s obvious from my choice of photographs, but I don’t care much about finding the graves of the notable persons buried in these cemeteries. For me, the attraction of these places comes from the collective obliteration of individual identity. The sense that pain and sorrow have been absorbed and transformed into something that is rather beautiful - the admission, and acceptance, of death. -- Me, April 2012.I love my journal so much. ♥ ♥ ♥










































This trip has inspired me to repeat the Magnificent Seven project, in reverse order, over the next few months. Next up, then: West Norwood cemetery.
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I've been thinking about the difference between resignation and acceptance recently; I think resignation is like "I am willing to integrate the fact of this into my mental model of the world, I won't deny that it's real and it's happening/going to happen, but I still begrudge it and think it's bad," where acceptance is more like "this is happening/going to happen, and, I have equanimity about it; there are bad parts but I am also open to noticing potential good parts." At least that's how it is for me. Thank you for these cemetery photos; the beauty of your photos and the articulation you share help me reflect on mortality and acceptance.
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IAWTC
It's stunning! (Do you recall how thick that stone is?)
I'm a big fan of cemeteries and you've just explained why they're soothing.
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Like All Saints, at the Highgate,
where Angels will attend..."
(From an extra verse by Paul Bristow to "Underground Music" by Vile Eric Shredby (aka Clive Derbyshire) and Ivor Biggun (aka Doc Cox). https://www.youtube.com/watch?v=Bh41xkRaKxc )
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Happy anniversary - and here's to cemeteries!
Thank you also for giving me another incentive to come back to my journal more often (we'll see whether it happens of course). My own 20th anniversary remains a couple of years in the future, but I'd like to see it in with an active journal again.