It’s such a pleasure* to have regular reminders that when you become a lecturer, people don’t automatically stop being horribly sexist at you. 


Yesterday, I was in my department’s Education Support Office [ESO], chatting to one of the ESO officers while he located the exam paperwork I needed so I could go off and spend the morning marking them.


As we chatted, someone walked in. I didn’t notice them and I don’t think the ESO officer did either. We were at the back of the office, well behind the reception desk. 


We noticed them when this person started shouting at us in the middle of our conversation, as I was signing out the exam scripts. Well, they shouted at me. “Excuse me, Miss, can you come over here,” they snapped. I turned and stared at them, appalled, and didn’t say anything. The ESO officer put on his most professional poker face and said firmly, “I’ll be with you in a moment.”


Was this person put off by that? Spoiler alert: They were not. “I am a new research associate in [professor’s name]’s group. I am looking for [professional services person]. I need to meet them now.” They stared at me. I still didn’t say anything.


The ESO officer replied, “Just wait there. I’ll be with you when we’re finished.”


We turned our backs on the person, who turned very reluctantly away and went out of the office to wait outside. When I left, I sailed past them with my arms full of exam scripts and did not look at them as I went downstairs to my office.


To the person: Do not assume that everyone standing in a professional services office is there to serve you on command. Especially not the women. 


To colleagues who do not check whether the people they are hiring are sexist pricks: I don’t care how great they may be as researchers. Please stop hiring sexist pricks.


To the ESO officer: You are a gem. Thank you for your support.


* please note heavy sarcasm


Last week* on my London evening I went to BBC Broadcasting House with one of my work colleagues, because I had tickets to a recording of The Museum of Curiosity. The idea behind this radio show is that three eminent guests donate exhibits to the imaginary museum after being interviewed by host John Lloyd and the curator. The curator position rotates between comedians. At the time of this recording, it was Noel Fielding. Phil Jupitus and Sarah Millican have previously curated. The guests on this occasion were another comedian, a composer and an architect.

The show seems to make an effort to have at least one woman as an eminent guest, which is rather nice. Unfortunately, I found the one female guest - the architect - actively cringe-making.

She was the last one of the three guests to be interviewed. It turned out that she had originally trained as a medic and practised for a short while as a GP. Then she went to India to spend a month in a leper** colony on an island, and it was there that she determined that she needed to completely change her career and become an "experimental architect". So she could revolutionise the way Western people live, because all our buildings are "dead" and we're locked into worship of machines and we need to learn from people who can make amazing things out of sticks and shit because they've got nothing else, or something. I don't know. Anyway, she actually didn't say the words, "Desperately poor and ill brown people are, like, so inspiring." Make no mistake, though, that was exactly what she meant. I didn't stand up and scream your racism is unintentional but it is not benign, but believe me, it took every ounce of my strength not to. Instead, I withheld my applause when she concluded. I also left a sardonic review of the event in the survey I was e-mailed after the recording, mentioning that they might want to make an effort to vett their guests for offensively colonial 19th century views.

Sometimes I think I've assimilated into British culture a bit too well.

* I've been wanting to post about this since that evening but every time I sat down to do it, nothing but a stream of incoherent rage would come out. So please don't make the mistake of thinking that, because the tone in this is pretty level, that I'm not still very bloody angry about it.
** I did glean some small amusement when one of the other guests - the composer - gently rebuked her afterward for referring to it as leprosy instead of Hansen's disease.
nanila: (manning: uberbitch)
( Nov. 9th, 2014 08:06 pm)
A thing happened recently that I didn't feel comfortable addressing directly with the person involved, so it's turned into a journal post.

Someone felt the need to go on a diatribe to me about how it's a travesty that Americans continue to celebrate Thanksgiving, a holiday built on what can mildly be described as false premises.

Every year I post a picture to Facebook of Wednesday Addams holding a match and delivering the following speech about Thanksgiving.

You have taken the land which is rightfully ours. Years from now my people will be forced to live in mobile homes on reservations. Your people will wear cardigans, and drink highballs. We will sell our bracelets by the road sides. You will play golf, and enjoy hot hors d'oeuvres. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They have said, "Do not trust the Pilgrims, especially Sarah Miller."...And for all these reasons I have decided to scalp you and burn your village to the ground.

Despite this, every year, I make an effort to celebrate Thanksgiving. Since I've had the space to do so, I've invited as many people as I can cater for to my home and fed them, at the very least, on pumpkin pie and wine. Because I also believe that despite its hugely problematic origins, the saccharine mythology of which continues to be propagated in American schools, it is possibly one of the nicest American traditions in the way it is actually practiced. I have on many occasions not been able to be with my own family on Thanksgiving, including the entirety of the last decade. Yet because of the generosity of friends, colleagues and casual acquaintances, I have never felt alone or unloved on this holiday. When most Americans hear that you haven't got anywhere to be on Thanksgiving, they will immediately invite you to their own celebration, even if they don't know you well, and the invitation will be sincere. You don't have to take it if you don't want to. But the option is always there - to be fed a nice meal, in company of people in good spirits, which in my world is one of the best things you can ever do for others.

I know the origin stories of America, especially as taught to young Americans, are full of inconsistencies and glaring omissions. I know that Americans have, to put it mildly, not always behaved well as colonists. If I were to get romantic about it, I could argue that I embody the conflict between colonial and colonised interests from the cultural right down to the genetic level, given my parents' national and racial origins.

I also know that in choosing to become British, I have taken on the mantle of possibly the most notorious of the modern colonialist oppressors. And I know that in choosing to emigrate permanently, I have given up on participation in a large portion of the culture I was brought up in. I spend 99% of my time immersed in British culture. My partner is British. My children will grow up predominantly British.

So. I get angry when someone feels the need to tell me that, of the 1% of my time that I choose deliberately to celebrate something that is American, I shouldn't be doing it. Perhaps, O White English Person, the next time you feel the need to dress someone down for clinging to a tiny portion of the culture in which they grew up, you should consider that you are possibly not the most appropriate mouthpiece of justice.
I have a little anecdote from yesterday that I feel nicely illustrates that racism isn't just for foaming bigots with shaven heads and small intellects. It isn't always obviously easy to disparage and avoid engaging in yourself.

I hopped onto a packed train headed to Birmingham from London. Well, I say "hopped". It was more like, "dove through through the doors being held dangerously open for me and three others by a platform attendant four seconds before it departed". The three other people started walking down the train carriages in front of me, looking for spare seats. The first person found a seat at the end of the first carriage. We went through three more carriages before encountering another that appeared empty.*

The two people in front of me went straight past it.

I stopped and asked the three men sitting quietly next to the unoccupied seat, "Excuse me, is anyone sat there?" They looked at me. (They looked surprised.) "No," one of them replied, "it's free. Take it."

This becomes a story about racism when you learn that the two people in front of me were white and the three men sitting around the empty seat were black.

I was reminded of a scene at the opening of the film Higher Learning.** It lasts about thirty seconds but it's burned onto my memory and I only saw the film once when it came out nearly twenty years ago. A young white woman gets into a lift with one other occupant. The other occupant is a young black man, also a student, who regards her with friendly curiosity, ready to say hello. She presses the button for her floor without looking at him, then stands in the opposite corner of the lift. As the doors close, she clutches her handbag to her a little more tightly, still not looking at him. He sees this and shakes his head, smiling sadly.

Racism can be subtle. It's ingrained in our subconscious and enforced by influences that we don't necessarily recognise. Those two people in front of me probably would have been horrified if confronted and asked, "Did you deliberately avoid that seat because it was surrounded by three black men?" It's hard to correct yourself for prejudice, I realise that. It falls on the person feeling the effects to point them out to you, which is damnably difficult, and for you to be strong enough to apologise, simply and succinctly, if required, and incorporate your new awareness into your future interactions. But we must try.***

* Please note also that this seat was nowhere near a smelly toilet or a person listening to loud music. Nor did it appear to have anything else wrong with it.
** I can recall very little else about the film, so can't recommend or discourage viewing.
*** I do not agree with Yoda in this instance.
I have a lot of feelings about the killing that took place in Woolwich this week, and most of them are bad.

I have seen friends supporting calls for the killers' deportation, and it makes me intensely sad. Because the killers are British. You can't 'send them home'. They ARE home. It is a grave mistake to let sociopathic murderers dictate the way we view them or determine the way the justice system treats them. This is their country. If they have committed premeditated murder here, then this is where they must be tried and lose their freedom - but not their lives, as our laws are more humane than they have been and would be themselves.

The killers have been convinced - through a grooming process not dissimilar to that employed to pressure young girls into prostitution - that they are not British. To encourage them in this misconception through deportation would be the worst possible outcome. It would reinforce and perpetuate the idea that British people can relieve themselves of the responsibility of respecting British law if they become sufficiently radicalised. To extend the analogy with the aforementioned young girls, it would be like telling them that the damage done to them was irreversible and placing them in permanent service to a brothel. There is nothing to be gained from turning the words and deeds of extremists into a course of action. Neither the atrocities they commit nor the falsehoods they speak should be allowed to dictate our laws or shape our society. That goes for the killers as well as the racist xenophobes presently demanding vigilante justice.


I was sitting peacefully on my train home this evening. I decided I couldn't cope with Boswell's Life of Samuel Johnson just then. I opted instead to melt my brain by doing the puzzles in the Evening Standard - which is the only reason I pick up the Evening Standard because I certainly don't read the damn thing - when this happened. And I gawped at it for a while in disbelief. And then took photos of it. And then gawped at it some more.

And then decided the interwebs needed to know about it.

I...just...you REALLY couldn't find yourself a less loaded word to put in your crossword puzzle, ES? REALLY?! WHAT THE HELL WAS WRONG WITH 'NEARS'?
As it turns out, my Kindle helps me to engage in arguments that I would previously have avoided like the plague. For instance, I was out with four friends last night at a pub, and someone brought up Joseph Conrad's Heart of Darkness. I don't remember what the conversation was originally about, but suddenly he uttered the phrase, "...it's not racist."

Now, normally this is the point at which I'd look round at my four white friends, who were clearly ready to prepared to let this pass without mention, and I'd drop it myself. I find it tiresome to be the one non-white person calling something racist and being talked down by a bunch of white people who are uncomfortable with the conversation and would rather be arguing about whose round of drinks it is. But I've actually read Heart of Darkness fairly recently on my Kindle. And what's more, I'd made a point of underlining certain passages that allowed me to state with certainty, "Yes, it is."

Then he started in with the "but it's a great piece of literature", "you can't judge it because of the prevailing attitudes in the time in which it was written" and "the definition of racism has changed over time" arguments. I patiently refuted the first - I was absolutely not saying that Heart of Darkness isn't a worthy piece of literature. It is. That doesn't mean it's not racist. As for the second, I can absolutely judge it to be racist no matter when it was written, because of the incorrectness of the third statement. Racism is discrimination against another person based on their race. It's really very simple. While Heart of Darkness certainly criticizes colonialism and discrimination in a passionate manner, the language used in many passages is racist.

So I took a deep breath and walked away from the group to go to the toilet. After using that noble facility for the purpose for which it was designed, I got out my Kindle and flipped through to "My Clippings". Then I walked back outside and read out the following passage (emphasis mine):

Imagine him here - the very end of the world, a sea the colour of lead, a sky the colour of smoke, a king of ship as rigid as a concertina - and going up this river with stores, or orders, or what you like. Sandbanks, marshes, forests, savages, - precious little to eat fit for a civilized man, nothing but Thames water to drink.


Trying to argue that it isn't racist to call the people of a country "savages" while referring to yourself as a "civilized man" is futile, which he eventually conceded. But damn, I really love my Kindle for giving me the armoury to tackle a conversation I would otherwise have been unwilling to have.

By the way, if you're wondering about racism, may I point you at this Tumblr: Yo, is this racist? (With snaps to [personal profile] ajnabieh.) My favourite entry is this one.
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