I’m stressed for a specific reason about which I’m obliged to be vague until some point next week (hopefully), which has been inhibiting my ability to write a coherent journal post. I realise this presumes my usual journal posts are coherent. Shush.

I haven’t been to my place of work since Thursday 19 March. I haven’t driven the car since Friday 20 March. We’ve been attempting to home-school the children whilst simultaneously working from home since Monday 23 March. It’s very difficult to judge how well we’re doing at either of those things. I experience a fairly continuous low-level grade of frustration about nearly every activity I perform. We talk to our friends and colleagues via Zoom, WhatsApp, Messenger, Teams and Skype, depending on which we’re connected on, and which form of technology is being least hinky at the time. Every time Keiki speaks to one of his friends, he has a meltdown afterward because he’s so frustrated. He saw one of his schoolmates on the canal towpath last week. He tried to climb the eight-foot builder’s fence to get to him, and spent their whole conversation clinging to the top of it, shouting every piece of news he could think of to him. After we came inside, he cried for twenty minutes because they couldn’t play together.

I want to do the same when I close a Zoom meeting with a friend.

The weather has been fantastic, which is a blessing because we get to spend a lot of time outside in the garden and that has got to be good for us in many ways. (Also we have a garden, which makes us fortunate.) And yet I futilely resent the weather for being so relentlessly and obliviously nice. Has it not read the latest Financial Times analysis with the terrifying graphs that show how the mortality rates are 50% to 400% higher than they normally are at this point in the year, no matter what a given country or city is reporting as attributable to covid deaths? Dark clouds! Icy pelting rain! Sturm und drang! That’s what’s appropriate right now. Do you not get it, weather? Although if the forecast for the week is correct, I’m about to get what I’m not genuinely asking for here.

I’m trying to be patient, but oh, how I want schools to re-open. I want to go back to work. I want to have a moan with my colleagues about late trains and overpriced bad coffee and inconsiderate fellow commuters. I want to see my friends in person.

If you read that, I’m sorry, and have a duckling photo. If you skipped it, well, I’m still sorry, because you’re probably similarly frustrated. Have a duckling photo.

IMG_1530

Sputnik, Telstar's brother, in 2012
Sputnik, lolling on a blue blanket, with his head upside down and one yellow eye showing.

Regular readers may remember that Telstar used to have a brother. He was killed by a car when we were still living in Cambridge. I made my last Caturday post featuring Sputnik on 10 March 2012.

He was a scrappier, lankier, grumpier character than Telstar, but no less loved. I still miss him.
As many of you know, I work on the Cassini mission as an operations engineer and have done for over a decade.

Tomorrow is the spacecraft’s final close flyby (T126) of Saturn’s moon Titan.

Just to put this into perspective for you, this may be the last time in decades that we get anywhere near Titan. There are no missions to Saturn or its most interesting* moons, Titan and Enceladus, currently funded or being built. That means there’s a minimum of ten years before a new mission could be launched. Given that the transit time to Saturn is, at a minimum, seven years and on average more like ten, that’s two decades until we can repeat Cassini’s observations.

Cassini’s impending demise makes me sad, of course, but what bothers me even more is the lack of continuity in our exploration of our solar system.

You can read the details of tomorrow’s Cassini’s observations on the NASA-JPL press release here. It includes an animation of the flyby over the surface, from the perspective of the spacecraft.

* “most interesting” being ever so slightly subjective, of course
nanila: fulla starz (lolcat: science)
( Mar. 6th, 2017 10:22 pm)
FinalPDTdesigns_S101_800
[Deliberately low-resolution screenshot of my desktop with the short form of one of the design runs.]

Today I submitted, for my line manager's scrutiny, the final set of pointing designs that I will ever do for the Cassini spacecraft. These commands will execute in late August/early September.

Pointing design has been one of my favourite instrument operations tasks for ten years. I am quite sad that it's leaving my repertoire.

(I would be going off to have a whisky now, but since the toddler came home today after four explody nappies due to a gastrointestinal bug that's doing the rounds at nursery, I will instead be trying to get some other work done as he's banned from the nursery for 48 hours. And thus is melancholy tempered by necessity.)
The Rosetta mission to Comet 67P came to an end today, with the orbital spacecraft landing on the surface of the comet and switching off.


Cartoon of Rosetta with its busted solar panels, clutching its Mission Achievements log. *sniff*


Cartoon of the Philae lander going to sleep forever on the comet's surface. *wibble*

Poll #17682 Rosetta's Grand Finale
Open to: Registered Users, detailed results viewable to: All, participants: 41


The saddest cartoon spacecraft image ever is:

View Answers

Rosetta with its busted solar panels, clutching its Mission Achievements log
17 (45.9%)

Philae going to sleep forever on the comet's surface
20 (54.1%)

I shed a tear over Rosetta's demise.

View Answers

Yes, I did. I'm not ashamed.
22 (56.4%)

That's cometary dust. Dust, I tell you.
12 (30.8%)

Yes, but that's a tear of rage because now the aliens will find our space junk and come to DESTROY US.
2 (5.1%)

I have no idea what you're talking about, but here, have a tissue.
7 (17.9%)

Yesterday, Humuhumu came to me with her gloves in her hand and said solemnly, "Mama, I can't do it." She likes to put all her clothes on herself, but gloves are difficult. She tries, but she can't do it.

The way she pronounced "can't" (KAH-nt) gave me a sudden, very sharp pang of alienation. It's a sensation to which I've become unaccustomed, embedded as I am into life in the UK. It brought home that my daughter doesn't sound like me. Not only that, she never will. She'll grow up with a British accent - what flavour is still to be determined, as she hears Brummie and Black Country at nursery, but academic British and American at home. Both my children won't sound like me. Maybe one day they'll be even embarrassed by their mum's American accent. It was unexpectedly painful to know that no matter how British I become in my habits and my tastes, as soon as I open my mouth I'm instantly identifiable as non-native, and I'll be the only one in our little family to be so.

There's a passage at the end of the last story in Zen Cho's Spirits Abroad that resonates particularly with me.

Past a certain point, you stop being able to go home. At this point, when you have got this far from where you were from, the thread snaps. The narrative breaks. And you are forced, pastless, motherless, selfless, to invent yourself anew.


Despite striving to reinvent myself over the past decade, I know that my expression of Britishness is always identifiably tinged with foreignness, and I don't just mean my accent. It's always a little jarring to be reminded that integration is not a process that is ever finished, or that can truly be perfected. I want my children to be as well integrated as possible into the culture they'll have to spend the majority of their time in. It will be effortless and natural for them. I don't want them to have American accents. But since they already seem to have so little of me in their outward appearances, apart from dark eyes and in Humuhumu's case, an outrageous fringe of pitch-black eyelashes, it hurts a little to watch them do with ease what I have to practise consciously. And to know that this difference between us is permanent.
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