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  <id>tag:dreamwidth.org,2009-04-24:119376</id>
  <title>Sauntering Vaguely Downward</title>
  <subtitle>Into the land of lowered expectations</subtitle>
  <author>
    <name>Mad Scientess</name>
  </author>
  <link rel="alternate" type="text/html" href="https://nanila.dreamwidth.org/"/>
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  <updated>2014-01-24T14:07:05Z</updated>
  <dw:journal username="nanila" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-04-24:119376:911352</id>
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    <title>52 Project</title>
    <published>2014-01-24T12:36:35Z</published>
    <updated>2014-01-24T14:07:05Z</updated>
    <category term="technique"/>
    <category term="52 project"/>
    <category term="b&amp;w"/>
    <category term="photography"/>
    <dw:mood>relieved</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>12</dw:reply-count>
    <content type="html">I didn't want to say anything about it lest I jinx it before I got too far into it. Now that I've reached Week 6 (and planned Weeks 7 and 8) I feel comfortable announcing that I have started a 52 project. My approach this time will be to  select what I think is my best photograph of the week. I started out free-form, but at the moment I'm using reading material for inspiration. At the moment it's &lt;u&gt;The Horologicon&lt;/u&gt; by Mark Forsyth, in which the author indulges his passion for reviving obscure and under-utilised words by sorting them according to the hours of the day and their associated "typical" activities.&lt;br /&gt;&lt;br /&gt;I've also decided to work in black and white for a while, because I've acquired a new dSLR. It's a significant step for me since I had the same entry-level consumer dSLR for seven years, and now I'm using a camera that, while not full-frame because I don't fancy lugging that kind of weight or responsibility around, is still a big step up from my previous bit of kit. Using black and white forces me to see where I'm making mistakes in focus, exposure and depth of field. I find colour can distract from recognising those errors. Often a photograph that looks interesting in colour becomes extremely dull when the colour is removed, because from a technical perspective it has not been well executed. This isn't always true, of course - the whole appeal of some photographs is in the colour. But with the types of photography that I like to do, portrait and macro, the previously mentioned items are of paramount importance in creating a memorable, striking image.&lt;br /&gt;&lt;br /&gt;So, starting with week six, here's what I've done so far. I won't post an update here every week (although I probably will in my favourite DW and LJ communities) - instead I'll do periodic updates like this one.&lt;br /&gt;&lt;br /&gt;Week 6&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/nanila/12052699494/" title="6/52: Agastopia 2: Feet by nanila, on Flickr"&gt;&lt;img src="http://farm6.staticflickr.com/5509/12052699494_7aac0c9316.jpg" width="500" height="333" alt="6/52: Agastopia 2: Feet"&gt;&lt;/a&gt;&lt;br /&gt;(The word that inspired this is &lt;i&gt;agastopia&lt;/i&gt;, defined in the &lt;u&gt;Descriptive Dictionary and Atlas of Sexology&lt;/u&gt; as, "a rarely used term for admiration of any particular part of the body.")&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://nanila.dreamwidth.org/911352.html#cutid1"&gt;Weeks 1 through 5 - TW for dead things in jars&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=nanila&amp;ditemid=911352" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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